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Estee Lauder

Amber Oriental Oud Rose

Estee Lauder Amber Mystique

16th November 2015

I’ve had a sample of Estee Lauder Amber Mystique for ages now but my hand would always pass over it, my mind doing the kind of internal eye-rolling that nonetheless is visible from outer space and makes me (I suspect) quite an irritating person.  The preconceptions I nurtured so smugly were: (i) this is Estee Lauder making a cheap grab for their slice of the oud craze driving the market – totally predictable and utterly depressing, (ii) the bottle is just f^&*($g awful, (iii) it would be just another syrupy, loud oriental amber along the lines of Ameer al Oudh, or 24 Gold, or (iv) that it would be stuffed with cheap woody ambers that scream “Power” and “Projection” to the bros and “outstaying its welcome” to me.

Thankfully, although I am still convinced of numbers (i) and (ii), my fears about the scent itself were completely unjustified. This is a sweet, soft oriental blend of rose, amber, incense, honey, some fruit, and a touch of (non-rubbery, non-medicinal) oud. It is not synthetically-extended in the rear with potent woody ambers. In fact, the sillage is polite and sweetly diaphanous rather than bullying or insistent.

I like it a lot. It would make a great starter oriental for those looking to dip their toe into the water, and for those who do not like the rather over-powered, syrupy, or harsh examples of the Arabian cheapy genre. It opens with a tiny berry and plum note, and what smells to me like a subtle oud wood note, but these get swallowed up pretty quickly into a powdery, sweet amber. It is sweetly balsamic and slightly-honeyed – never throat-catchingly resinous or sharp.

There is, later, an attractively whiskey-ish tone to the amber that develops, giving it some dimension. I also smell a slight buttery tone that could be a facet of the amber or of the leather – either way, it reminds me of the only part of the amber accord in Opus VI that I really like, which is that buttery, almond-like undertone from the periploca flower. In Amber Mystique, you really feel the presence of the rose, and I would say that overall, this is a rosy amber (or an ambery rose), like Dior Privee’s Ambre Nuit, albeit without the salty ambergris tint. If you like Kalemat or Calligraphy Rose, then you’ll enjoy this too (although those other two perfumes are better, in my opinion).

If I had to point out a little niggle, I’d say that it lacks the sub-woofer boom that makes ambery orientals so (traditionally) satisfying. Everything unfolds in a little shallow pool of bliss, the ripples spreading out on the skin, but there are no hidden depths here.

In the United States, this appears to be sold on eBay for $30-40 for the 100ml size, but in Europe, we are still seeing prices of €80-110. I am surprised at the difference, but maybe the American market is just better at finding the correct value of things.

Personally, I would put the real value of Amber Mystique at around the same level of Spellbound or Sensuous Noir. It smells great but is neither groundbreakingly unique nor as attention-grabbing as Estee Lauder would like us to believe, and therefore the “exclusive” tone of the marketing and pricing makes little sense. But if you live in America and see this on eBay for peanuts, grab it! Especially if you don’t already own an example in this genre – Arabian-style oud/amber EDPs – and would like to start off on an easy rung.

Amber Patchouli Spicy Floral White Floral Woods

Estee Lauder Sensuous Noir

18th September 2015

Estee Lauder Sensuous Noir is one of the best things that a woman can buy off the shelves of the local department store these days, it really is. Hats off to Estee Lauder!

What they’ve achieved here is the marriage of an almost niche-smelling top half – pine needles, red pepper, a rose that smells more like a plum pudding than a rose, and a dark, chewy patchouli – to a whipped honey-vanilla crème base that caters to the sweet tooth of today’s young women, reared on a diet of sugar bombs and fruitchoulis.

The sillage is swoon-worthy. Every time I spray this on at my local drugstore, I float around for half an hour almost drunk on the fumes of this piney, fruity rose plum pudding-smelling thing. I’d tell you it smells a bit like a cross between Serge Lutens La Fille en Anguilles and Tom Ford Black Orchid, except I wouldn’t want you to run in the other direction – this is far more subtle and “mainstream” than that.

Soon, however, the arresting piney, rosy plum of the top notes begins to slide into a creamy mélange of spiced lily, ambery vanilla, and jasmine, and while this is enjoyable, it all becomes a little too sweet for my taste. Thankfully, somewhere in the base there is a slightly raspy, dry honey that mixes with powdery benzoin to stave off the unrelenting sweetness, and the scent pulls back into “bearable” territory for me.

Overall, I see this as a perfect scent for young women who wants to smell a little bit sexy and mysterious when out on the town, but who doesn’t want any of the weirdness or boldness associated with niche scents. And this serves the purpose nicely – it is sexy, dark-ish (in a polite way), and sweet enough to make a guy want to nibble on your ear lobe or follow your scent trail through a crowd to its source.

The main downfall of this scent – if there is one – is that its trajectory from topnotes to basenotes is disappointingly brief. It all plays out in a matter of hours, and although the basenotes linger, all the drama of the scent is soon gone. Perhaps even that stalwart of the department store Estee Lauder has begun to front-load its fragrances to get customers to pull the trigger before they realize the thing quickly runs out of steam. It’s a depressing thought.

A beautiful surprise, though, in the last moments – a snuffed-out candle note, smoky and paper-dry. This is perhaps the last gift of the benzoin, I don’t know. But it feels like the fingers of someone pinching out the flame of the scent and putting it to bed. It’s a nice touch. It keeps me coming back for more, despite the glaring construction issues.

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