Neither of these 2016 Ormonde Jayne releases – Jardin d’Ombre and Ambre Royal – are my kind of thing, even though there are interesting and even beautiful moments in both of them. But I’m…
As you might have guessed from my recent series of posts, I am a big fan of the house of Ormonde Jayne. After having invested in several full bottles and having worked my way…
Ormonde Jayne set out its mission and values in its original core collection, and to this day, it remains the standard bearer for the brand. I’ve written about some of the perfumes in the…
The topnotes of Serge Lutens Serge Noire‘s smoky, dried fruit incense draw me in every single Goddamn time, like a mermaid’s song. And then I am dashed cruelly against the rocks that are this…
Rose Gold Rose Gold opens with a fiercely fresh green rose that briefly hints at the rose in Ta’if before folding its lemon-rind-and-black-pepper topnotes into the folds of a richer, pulpier rose that smells…
Ormonde Jayne Four Corners of the World collection upped the ante on the already amazing core line, exploring key raw materials drawn from, well, the four corners of the earth: oud from India, tobacco…
Ormonde Jayne is a brand that I turn to for sophistication and polish. I'm looking past the core collection of original releases and asking: what did Linda do next? Part I is on the…
Quasi Un’Absurdia by Chris Rusak is a rare joy. In the modern hodge podge of brutal woody ambers and syrupy eau-de-department-store florals, instances of classical beauty are few and far between. So a minute…
I’m fascinated by the individuality of the models at play in the indie perfume sector. Some houses, like Diane St. Clair and Papillon work slowly, releasing an average of one perfume a year (if…
Mxxx. by Eris Parfums is an almost embarrassingly sexual scent – the result, I imagine, of an experiment to cross breed the silvery, driftwood aroma of a far-off beach bonfire with the boudoir-ish scent…