What I love about Sonoma Scent Studio Tabac Aurea is that the perfumer – Laurie Erickson of Sonoma Scent Studio – has had the confidence to showcase all the wonderful complexities of the material itself without clogging it up with other notes. And tobacco is one lily that doesn’t need to be gilded. The textures of the tobacco leaf range from leathery to wet mulch, and the notes can comprise dried fruits, leather, wood, clove, cinnamon, apples, plums, paper, and gingerbread. Tabac Aurea showcases all of these different textures and notes, and the total effect is as if the perfumer held a dried tobacco leaf up against the sunlight, slowly turned it around in her hands, and captured each of its changing colors and smells in one small bottle.
Tobacco is a deeply evocative smell for me. I lived for 16 years in the Balkans, where there is a century’s long tradition of smallholders growing tobacco and curing it in the sun before selling it to the local tobacco company, NDKP. The collapse of Yugoslavia in the nineties, coupled with NATO sanctions and the rise of cigarette smuggling meant that local farmers switched to other crops. But now, farmers are once again growing tobacco in Montenegro. They grow a kind called Oriental Tobacco, a small-leaved, hardy type of tobacco that is cured in the hot Balkan sun for up to a month. Intensely aromatic, the smell of the leaves curing in the sun spills out from the fields and into the air around you. There is one such field near a shopping center, and when I walked by there, I loved watching people get hit with the aroma – inevitably they stop, inhale deeply, and stagger away as if high.
Tabac Aurea captures this smell exactly. The smell of tobacco leaves curing in the sunshine is extraordinarily complex and multi-faceted. At first, it smells like a big, thick handful of shredded, wet tobacco leaves that have been steeped in booze of some sort. The effect is rich, but also tannic enough to suck the moisture out of your mouth. The confident spicing, along with a slight dried fruits and candied peel tone, creates an effect that is close to the taste of those medieval types of sweets and cakes, such as panforte, parkin, or gingerbread. These medieval treats would have had a touch of dry honey to them, otherwise, no sugar would have been used.
Throughout the day – and this is a serious, all-day fragrance – you begin to notice the tobacco smell dries out considerably, taking on a leathery and slightly grungy tone that I attribute to the labdanum resin that Laurie has used to round the fragrance out. However, the overall richness of the fragrance never abates – this is one thick, rich smell that stays dense and heavy all the way to the end. This makes it a fragrance one must commit to 100% before putting it on for the day, but if you love the smell of tobacco, then this one is a must. I put it on and it keeps me warm as I go off out into the autumnal sunshine to kick some leaves around.