What a beautiful opening – delicate and sweet, a cloud of bergamot, rose, and vanilla dust just hanging in the air like a rose-gold halo. And in it, I instantly recognized the ghost of Shalimar.
Well, actually, that’s not exactly true. If Habit Rouge is the male equivalent of Shalimar, then its flanker, Habit Rouge Dress Code is the male equivalent of (a mash-up of) two of the Shalimar flankers – specifically the Parfum Initial L’Eau and the Parfum Initial EDP. The Shalimar flankers strip Shalimar of its leather, smoke, incense, and dirty bergamot, and use her bone structure to turn out streamlined, sweet versions flushed with sweet lemonade, red berries, and that smooth pink patchouli that modern girls love so much. Likewise, Habit Rouge Dress Code takes the rose-leather combination of the original Habit Rouge EDT, strips it of its fresh lemon-and-herb-strewn opening, and fluffs it out with sweet notes that modern tastes love, like praline, caramel, and tonka.
But I don’t just mean that Dress Code smells like the conceptual twin of the Shalimar flankers, I really mean to say that it lifts entire sections from these fragrances. Dress Code has the same hazy but effervescent citrus-rose combo from the opening of the L’Eau, giving off the delightful effect of a huge pitcher of limeade dotted with pink rose petals. Later on, when the sweet praline and caramel come in, it starts to smell a lot like the dry down of the Parfum Initial EDP (minus the iris and berries). The overall feel is pink, balmy, and slightly resinous, so there is obviously a lot of the Guerlainade here too. In fact, at certain points, it reminds me of a sweeter, less complex version of Cologne du 68, which itself is basically an essay on the famous Guerlainade, with anise and angelica stalks added on top.
Two notes take Dress Code away from being a mere pastiche of these other fragrances, though. First, a warm nutmeg note provides a brown, spicy aura that is very striking. It acts upon the vanilla and caramel to produce a sweet, nutty effect very similar to that in Black Flower Mexican Vanilla. Second is a rather strident citronella-like note, probably from the geraniol or citronellol compounds in the rose oil used here. Both the nutmeg and the citronella notes die way back in the dry down.
Dress Code is extremely well-done, and is a striking example of a modern gourmand take on a classic. It will suit modern male tastes, I am sure, as it is extremely sweet and has that praline note that people like so much these days. But for me, it runs into “too sweet” territory, and to be honest, I can’t stand the boatloads of caramel poured into this – it has that syrupy “catch” at the back of my throat that put me off ever buying Parfum Initial EDP. The opening is beautiful, and I’ll admit that within five minutes of applying, I was scouring the net to see where I could find it. But on reflection, I only find the opening alluring because it reminds me of the one Shalimar flanker that I really rate (and own), which is the Parfum Initial L’Eau.
By the way, not that it matters, but if I were smelling this blind, I would swear that Dress Code was a feminine release. It’s a good example of how the line between feminine and masculine fragrances is really a thin one these days, and that it essentially doesn’t matter at all – if you’re a woman and this smells good to you, just wear it.